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GILBERTTO PRADO

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Cajas (Cuchillos, Clavos, ¿Quién mira quem?)

Sky circuit/Time ruler

Sensor-necklace

Screen – aqueduct

Caixas de Choque 1, 2, 3

After Tourism

Caixa dos horizontes possíveis

Mirante 50

Ø25 - Quarto Lago

ZN:PRDM

Encontros

Catavento

Amoreiras

Desluz

Pedralumen

Cozinheiro das Almas

Acaso 30

Incógnito

Desertesejo

9/6 Fragmentos

de Mr. James

Depois do turismo

vem o colunismo

9/4 fragmentos de azul

M. A. (desejo)

wAwRwT

Moone

Réaction em Chaîne

Telescanfax

Connect

Fax Arte

A terra e seus terráqueos em 88

Videoscopio

Babel - torre de bambu

Welcomet Mr. Halley

Arte Alameda - 2018

BIENALSUR - 2017

Digital Biome - 2016

WRO Poland Biennale - 2015

Érika Garrido

Érika Garrido

Mauris sit amet tortor.7

Érika Garrido7

Érika Garrido8

Érika Garrido9

Érika Garrido10

Érika Garrido11

Érika Garrido12

Érika Garrido13

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  • Desluz (2009)

    Insects use the light of the moon and stars as a marker of location, keeping in constant angle to get to and from their breeding places. With artificial light of our electric lights, insects start to become confused, trying to get close to light sources, flying in circles, forming clouds, attracted by light in endless loops. The light that attracts them is infrared, a wavelength the human eye is not able to see, yet it is a potent sexual attractor of moths. Thus, electromagnetic frequencies are covertly perceived through the ages under the moonlight or electric light, perpetuating the survival of species.

     

    Desluz is about the discovery of the invisible, our provisional places, our flows and grids, layers that subtly overlap one another, lure us not letting us see them, betray our hidden, yet so apparent, senses, and bring to light our desires in endless pursuit of following the stars.

     

  • more...

    Desluz is a non-light, as an intense desire that burns but does not light; it is felt but not seen. The light will only be visible through mobile cameras that mode around the LED transparent cube, in a stripping operation than the eye cannot see.

     

    The movement of the flow of passers-by in the red-light area is captured by a camera located on top of a building, recording a top view of the area, a network, a mesh, which scans an area and a flow of passers-by. The information gained will feed the system installed in the exhibition. This system consists of a cube of LEDs that emit infrared light, an Arduino board, which will be responsible for the relationship between analog and digital data, and two computers that will process and will handle all data (input and output). Thus, the data sent by the remote camera will be turning on and off the lights of the exhibition cube, generating movements and flows.

     

    This process will be dynamic, simultaneous, and will occur in real time. Meanwhile, nothing is seen or heard at the exhibition space, but the body perceives these other frequencies. The lights apparently remain transparent and dull, and the speakers emit sounds not audible to humans.

     

    The work was presented at Galeria Espaço Piloto 16 on 09/30, # 8.ARTE, UnB, Brasilia and a new version was displayed at Galeria Luciana Brito, in São Paulo, at the exhibition Galeria Expandida, curated by Christine Mello, from April 5 to 20, 2010. The work was also part of the individual exhibition Alameda Circuit, held at the Alameda Art Laboratory, Mexico from June 5 to August 5, 2018.

     

     

    DESLUZ

     

    youtube: https://youtu.be/96k-W9FvniI

     

    vimeo: https://vimeo.com/26773390

     

    making of: https://vimeo.com/10110458

     

     

    Links

     

    PRADO, Gilbertto. Grupo Poéticas Digitais: projetos desluz e amoreiras. ARS (São Paulo), São Paulo, v. 8, n. 16, 2010 . pp. 110-125.

    http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1678-53202010000200008&lng=pt&nrm=iso

     

    PRADO, Gilberto. Projetos recentes do Grupo Poéticas Digitais: 2010/2012. ARJ | Brasil | Vol. 1/2 | p. 39-58; Jul./Dez. 2014

    http://www.periodicos.ufrn.br/artresearchjournal/article/view/5362

     

     

    Printed

     

    PRADO, Gilberto. “Projetos recentes do Grupo Poéticas Digitais” in Poesia Visual. org. Alberto Saraiva. F10 Editora: Oi Futuro, 2013, pp. 14-21. ISBN 978-85-64609-03-7

     

     

    PRADO, Gilberto. Grupo Poéticas Digitais: projetos #Azul, Pedralumen e Desluz. In: FAD Festival de Arte Digital - Retrospectiva, (org. Henrique Roscoe e Tadeus Mucelli). Belo Horizonte: FAD,  pp. 90-102; 2014

     

     

    PRADO, Gilberto. Récentes recherches du Groupe Poeticas Digitais, in France-Brésil, Échanges intellectuels et artistiques: Repères,  historiques et prospectifs. (coord: Autissier, Anne-Marie; Ennafaa, Ridha; Nunes, Geraldo), Paris: Le Fil d’Ariane, Univ. Paris 8, UFRJ, Ambassade du Brésil en France, 2013, pp. 145 – 156.

     

     

    PRADO, Gilberto. “Projetos #AZUL, Pedralumen e Desluz” in Hibridações no processo criativo e outras relações. org. Valzeli Sampaio, Aureo de Freitas e Cesário Augusto Pimentel de Alencar. Belém: PPGARTES/ICA/UFPA, 2012, pp. 13-29.

     

     

    PRADO, Gilberto. “Projetos recentes do Grupo Poéticas Digitais” in Poesia Visual. org. Alberto Saraiva. F10 Editora: Oi Futuro, 2013, pp. 14-21.

     

     

    PRADO, Gilberto. Grupo Poéticas Digitais: projetos Pedralumen e Desluz. In: VENTURELLI, Suzete (Org.). Anais do 9° Encontro.Internacional de Arte e Tecnologia (#9ART): sistemas complexos artificiais, naturais e mistos. Brasilia: DF; UnB, 2010. p. 189-191.

     

     

    PRADO, Gilberto. Grupo Poéticas Digitais: projetos #Azul, Pedralumen e Desluz. In: FAD Festival de Arte Digital - Retrospectiva, (org. Henrique Roscoe e Tadeus Mucelli). Belo Horizonte: FAD,  pp. 90-102; 2014

     

     

    PRADO, Gilberto. “Projetos #AZUL, Pedralumen e Desluz” in Hibridações no processo criativo e outras relações. org. Valzeli Sampaio, Aureo de Freitas e Cesário Augusto Pimentel de Alencar. Belém: PPGARTES/ICA/UFPA, 2012, pp. 13-29..