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GILBERTTO PRADO

ABOUT

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Cajas (Cuchillos, Clavos, ¿Quién mira quem?)

Sky circuit/Time ruler

Sensor-necklace

Screen – aqueduct

Caixas de Choque 1, 2, 3

After Tourism

Caixa dos horizontes possíveis

Mirante 50

Ø25 - Quarto Lago

ZN:PRDM

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Pedralumen

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Acaso 30

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Desertesejo

9/6 Fragmentos

de Mr. James

Depois do turismo

vem o colunismo

9/4 fragmentos de azul

M. A. (desejo)

wAwRwT

Moone

Réaction em Chaîne

Telescanfax

Connect

Fax Arte

A terra e seus terráqueos em 88

Videoscopio

Babel - torre de bambu

Welcomet Mr. Halley

Arte Alameda - 2018

BIENALSUR - 2017

Digital Biome - 2016

WRO Poland Biennale - 2015

Mauris sit amet tortor.9

Mauris sit amet tortor.6

Mauris sit amet tortor.7

Mauris sit amet tortor.8

Mauris sit amet tortor.10

Mauris sit amet tortor.11

Mauris sit amet tortor.12

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  • Moone (1992)

    Using the principle of shared screen via ISDN, you are invited to take place beside your partner and construct with him/her a hybrid image in real time, without ever touching or (even) seeing him/her.

     

    This ambiguity is at the heart of the project. An ephemeral relationship is created in which growth and composition depend on the other and on the dynamics of the exchange.Breathpoetry, a constant alternation of poles of representation, transformation of shadow into pixel-light.

     

  • more...

     

    Procedure: 1- A space (circle) divided in two appears on the screen. 2- The two participants work alternately, one on the left side, the other on the right. 3- Each participant's work consists of making whatever he wants on his half of the screen (drawing, photo,..., any kind of digital image, taking into account the other's participation, thus establishing an dialogue in images. 4- A participant has access to only one half of the sphere. He can possibly take elements from the other side (for example by copying and pasting) but he can't intervene graphically in the composition of the other half. 5- After the intervention, the participant turns over the control of the screen to his partner. 6- As soon as the image is finished, the participants click on a "button" at which time: a: The center line disappears. b: The image is given the name of a crater on the dark side of the moon, using chance procedure. c: The image is saved (memorized). d: The image disappears. e: The blank screen is (again) ready for a new connection. 7- All the images made (this way) reveal a dark side of the moon, available in the form of an image bank, accessible by clicking on a "point" of the moon map created.

     

    This project was developed during the exhibition "Machines à Communiquer" in the "Atelier des Réseaux" at Cité de la Science et de l'Industrie La Villette - Paris, with the collaboration of "Café Electronique" also at La Villette.

     

    The first images built together were made the 4th of July 1992 between Gilbertto Prado at "Café Electronique" (Paris) and Hermann Keldenich at Electronic Cafe (Kassel - Germany), during the IX  Documenta. Other exchanges followed on the 5, 17, 18

     

     

     

    MOONE

     

    Vídeo 1

    https://vimeo.com/158305440

     

    Vídeo depoimento

    https://vimeo.com/158305671

     

    Video 2

    youtube: https://youtu.be/tn1E2xD9Wg8

    vimeo: https://vimeo.com/25877211

     

     

    Links

     

    PRADO, Gilbertto.  Arte telemática: dos intercâmbios pontuais aos ambientes virtuais multiusuário, Itaú Cultural, São Paulo, 2003.

    http://www2.eca.usp.br/cap/gilbertto/textos%20publica/2003-Arte_telematica_dos_intercambios_pontuais_aos.pdf

     

     

    Printed

     

    Art-Réseaux. Karen O'Rourke (org.), Editions du C.E.R.A.P. (Centre d'Etudes et de Recherches en Arts Plastiques - Université de Paris I Panthéon - Sorbonne), Paris, França, 1992.

     

    PLAZA, Julio e TAVARES, Monica. Processos Criativos com Meios Eletrônicos: Poéticas Digitais, São Paulo, Editora Hucitec, 1998.